Percussion Solo for 200 Hands is an acousmatic work of contemporary percussion music that marries acoustic sounds with multichannel spatialization in a uniquely immersive experience. At its core, this piece is a study in texture and timbre. Cameron Church employs a wide variety of percussive instruments, ranging from the traditional drums and cymbals to more unconventional objects such as cigar boxes, chains, and steel pipes. The resulting soundscape is a rich tapestry of colors and shapes, inviting the listener to explore the ever-evolving musical landscape. By distributing various instruments throughout the multichannel sound field, Cameron aims to create an enthralling sound world that fully envelopes the listener. This approach allows for a heightened sense of immersion and intimacy with the performer, as well as an enhanced appreciation for the intricacies and great variety of percussion music. This piece is also a fantastic demonstration of Ben Giroux's talents as both the performer of the work and as the audio engineer who brought the piece to life in the 5.1 surround sound environment.

Links: Score

Recorded Performers: Ben Giroux (bengirouxpercussion.com)